There Is Still So Much to Do

A New Season, New Encounters

When the Teatro Municipal António Pinheiro reopened its doors in September 2025, we knew we were facing far more than the reopening of a building. There were audiences to reconnect with, new ones to engage, and a Theatre that needed to become part of the city’s everyday life once again.

One year later, we can look back on the journey so far. Between September 2025 and June 2026, TMAP hosted 169 performances and welcomed around 37,000 spectators, through a programme spanning music, theatre, dance, opera, cinema, early childhood programming, schools, cultural mediation, and community initiatives.

This beginning was only possible thanks to the artists, companies, cultural organisations, partners, schools, associations, and local groups who chose to join us on this journey, and naturally, to the audiences whose extraordinary support and trust gave true meaning to the Theatre’s return. To all of them, we extend our deepest gratitude and appreciation.

It is with that confidence, but also with a greater sense of responsibility, that we present our programme for September to December 2026. A programme that continues the path we have begun, consolidates some of our key commitments, and opens space for new artists, languages, audiences, and encounters.

September once again demonstrates the diversity we seek for TMAP. We will host the 3rd edition of the Algarve International Architecture Conferences (JIAA) and the exhibition of the 5th Algarve Architecture Prize, alongside Uma Vida de Amizade (A Lifetime of Friendship), featuring renowned Brazilian actresses Silvia Pfeifer, Adriana Garambone, and Helena Fernandes.

The Mediterranean Diet Fair will also be part of the Theatre’s programme, with events for children, young people, and families presented by Boca de Cão and Teatro e Marionetas de Mandrágora, a screening of SURDA, winner of the LUX Audience Award, and the launch of the book PORTUGAL IMATERIAL – UMA ABORDAGEM ANTROPOLÓGICA (IMMATERIAL PORTUGAL – AN ANTHROPOLOGICAL APPROACH), by Professor Luís Marques.

Our connection with younger audiences will also be strengthened through the Youth Festival, whose programme will once again include the Teatro Municipal António Pinheiro. TMAP will host BULLDOG, by JAT – Janela Aberta Teatro, a wordless performance combining expressive masks and physical theatre that explores themes such as bullying, friendship, love, and family through the experiences of four young people in a school setting. It will also present Mal-me-quer, by Réptil, a forum theatre production inspired by the Theatre of the Oppressed methodology, inviting young audiences to reflect upon and actively participate in discussions about dating violence and emotional relationships.

These programmes will be joined by A Música Dá Trabalho (Music Takes Work), an educational project that reveals to young people what exists beyond the stage, introducing the many professions involved in making music happen, from musicians and composers to sound and lighting technicians, video production, editing, and communications specialists. The project combines learning, experimentation, and direct contact with industry professionals.

The presence of these projects within the Youth Festival reinforces a dimension we consider essential: bringing young people closer to the Theatre not only as spectators, but also as participants, citizens, and potential future cultural professionals. TMAP thus establishes itself as a space for non-formal education, reflection, and discovery, using the arts to address issues that form part of young people’s lives while opening up new paths, experiences, and possibilities.

In October, we will celebrate World Music Day with SAKAMOTO 1996, a journey through the universe of Ryuichi Sakamoto, one of the leading figures of contemporary music, whose work bridged classical music, electronic experimentation, and cinema. From Spain comes the Ballet Flamenco de Barcelona with Carmen, bringing to the stage the power, expressiveness, and theatricality of flamenco through an interpretation of one of the most universal works in the repertoire.

Humour and stand-up comedy will also maintain their place in the programme, with Diogo Batáguas in Optimista Céptico (Optimistic Sceptic) and Eduardo Madeira in Grande Entre os Assassinos (Great Among Assassins).

October 24 will carry particular significance. The Theatre, inaugurated in 1917, will celebrate another anniversary with Rodrigo Leão – O Rapaz da Montanha (The Boy from the Mountain), a concert featuring the special participation of the Children’s Choir of the Tavira Music Academy. A symbolic encounter between one of Portugal’s most acclaimed composers and the voices of Tavira’s children, bringing together memory, present, and future on the same stage.

Portuguese music will also enjoy a special moment with Raquel Tavares, one of the defining voices of contemporary fado. In November, The Legendary Tigerman, the project of Paulo Furtado, will bring his distinctive universe, situated between blues and rock ’n’ roll, to TMAP.

Dance will continue to occupy an important place in the programme with the return of the National Ballet Company, presenting Only Duos, and, following the success of the previous season, the International Classical Ballet with Swan Lake. Opera will also return with Mozart’s The Magic Flute, continuing the path established by La Traviata and La Bohème.

As part of our partnership with the National Theatre São João, we will welcome Maiúscula, starring Luísa Cruz, further strengthening cooperation and networking with leading national artistic institutions.

The Senior Month programme will also have a place at the Theatre through various initiatives, including cinema screenings, a Fado Gala, and Sempre que a Revista Canta! (Whenever the Revue Sings!), featuring Cidália Moreira. For audiences from the earliest years of life, the popular Concertos para Bebés (Concerts for Babies) will return after their great success in previous programming cycles, this time with Luísa Sobral as guest artist.

Cinema returns in September, now on Tuesdays, with Terças de Cinema (Cinema Tuesdays), featuring Odisseia, Playback, Spiderman, Heart of the Beast – Heróis Inseparáveis, Santo António e O Casamenteiro de Lisboa, Cartas Amarelas, and many other titles. On Wednesdays, the Cineclube de Tavira will maintain its regular arthouse cinema programme, while the 27th French Film Festival will once again stop in Tavira. This is a commitment we intend to continue strengthening following the strong audience response to cinema during the first season. Did you know that the very first film screened in our Theatre was shown on October 27, 1917?

Within the framework of the Mediation and Community Plan, O Avesso da Cena (Behind the Curtain) will also continue. This guided tour programme, which has already involved hundreds of participants, will keep introducing visitors to the Theatre’s backstage areas and day-to-day operations, bringing audiences closer both to the venue itself and to the people who work within it.

Throughout these four months, we will continue opening TMAP’s doors to local associations and their projects, because we want a Theatre capable of welcoming nationally and internationally recognised artists and organisations while remaining deeply connected to the community to which it belongs.

Non-formal education will also remain a fundamental dimension of the project. In collaboration with local school groups, a variety of performances and activities will be developed and presented, seeking to build bridges between artistic programming and curricular content and objectives, bringing cultural experiences closer to students’ educational journeys.

December will be dedicated to Christmas and the community, with Gospel Collective, the Christmas Choir Gathering featuring groups from Tavira, the second edition of Movimento e Magia: o Natal de Tavira em Dança (Movement and Magic: Tavira’s Christmas in Dance), with D Dance and the Dance Class of the Tavira Music Academy, and the Christmas Concert performed by the Algarve Orchestra.

The first season showed us that the path we have begun is worthwhile. Now is the time to consolidate it, deepen it, and continue taking risks. We want a Theatre that is diverse and ambitious, yet approachable; capable of welcoming major names and leading organisations, while also opening its stage to the community; a Theatre where different generations, artistic languages, and audiences can come together.

Perhaps this is why The Boy from the Mountain is such a fitting image for this moment. We look back with pride at the path we have travelled and ahead with the same sense of curiosity and determination with which we began. Because there is still so much to do.

Between September and December, the doors are once again open. To those who have already joined us on this journey, and to those who have not yet entered the Theatre, we extend our invitation: come and watch, discover, participate, and become part of this new season. The Teatro Municipal António Pinheiro belongs to Tavira, and we want to continue building it together with you.

Read the brochure here.

Address

Teatro Municipal António Pinheiro

Rua D. Marcelino Franco, 22

8800-347 Tavira

Contacts

tm-antoniopinheiro@cm-tavira.pt

bilheteira.tm-antoniopinheiro@cm-tavira.pt

281 320 510

(Call cost according to your tariff plan)

Schedule

Tuesday to Saturday – 10:30 a.m.–1:00 p.m. / 2:00 p.m.–5:30 p.m.

Box office closed on Mondays.

Tickets available at the Theatre’s reception desk, FNAC, Worten, CTT, Pousadas da Juventude, El Corte Inglés, Lojas Note!, Rede Serveasy e BOL

History +

Tavira had been one of the main municipalities in the Kingdom since the 15th century, as can be seen from the royal charter that granted it city status on 16 March 1520. However, it was not until 1853 that a record was found for an entity named “Dramatic Society”, which applied to the Town Hall for permission to remove the stone needed to build a venue for performances, known as the “Theatro Tavirense”, next to the Church of Santiago. A performance company worked at this theatre, which also hosted various theatrical performances over the years, including artists from the Teatro D. Amélia and the Teatro do Gymnásio. Later, the authorities closed the facilities down due to their poor condition.

It was during this period that a new type of entertainment made its appearance and began to excite the population – motion pictures. In 1909, a group of locals in Tavira set up a shed in Praça da Alagoa to screen films. Later, in 1910, the shed would be moved to Rua 1º de Maio, where it hosted various other shows in addition to film screenings.

In 1910, the precarious conditions of the “Theatro Tavirense” and the limited facilities of the Salão 1º de Maio, led a group of citizens to announce the opening of subscriptions for shareholders, who would carry out the construction of a theatre that would be “vast, comfortable and with the necessary safety conditions”. This space would be called “Theatro Circo”. For reasons unknown, the project never got off the ground.

In 1914, a group of citizens again initiated the idea of building a theatre that would ensure comfort and safety for the public.

And so, on 24 October 1917, the Teatro Popular was inaugurated, with three notable locals in attendance: António Pinheiro, Pavia de Magalhães and António Rebelo Neves.

In May 1942, on the initiative of Virgílio Monteiro, the then administrator of the Teatro Popular, in a rightful tribute to the greatest figure in theatre in Tavira and one of the leading cultural role models in Portugal at the time, it was suggested that the name be changed to Teatro António Pinheiro. The change was approved at the General Meeting of the Empresa de Espetáculos Tavirense.

In 1964, the Teatro António Pinheiro was sold to the company Cesário & Drago, Lda and shortly afterwards was demolished and rebuilt. In 1968, it was inaugurated under the name “Cine – Teatro António Pinheiro”. Thus, on 10 February the renovated venue reopened, presenting two screenings of the film “More Than a Miracle”, starring Sofia Loren and Omar Sharif.

Over the years, the venue gradually lost standing as new facilities opened in the region and the owners had no option but to sell the Cineteatro António Pinheiro. Tavira Municipal Council purchased the property in 2001 and refurbishment began in 2018.

The renovation brought a new lease of life to the old Cineteatro António Pinheiro and the venue’s name was changed once more: as property of the Municipality, it is now the António Pinheiro Municipal Theatre.

1 O HERALDO, 29/06/1905, Nº 1198, ANO 23º

2 PROVÍNCIA DO ALGARVE, 4/06/1910, Nº 88, ANO II

Mission +

The António Pinheiro Municipal Theatre is a welcoming facility, which also encourages and supports artistic creation, networking and the involvement of the community at large, the school community, and the associative ecosystem of the municipality of Tavira. As such, it is a very important anchor in the pursuit of the cultural policies defined by the Municipality. The aim is to develop a programme that fosters the democratisation of access to culture, as well as institutional cooperation between different levels of administration, helping to correct asymmetries, and also contributing to territorial cohesion and the development of populations in the municipality of Tavira, the Eastern Algarve and the whole Algarve region.

The António Pinheiro Municipal Theatre’s mission is to present a regular, eclectic, quality and diverse programme for all, one that is accessible and inclusive and promotes the creation of audiences; a theatre open to the community and which contributes to artistic enjoyment, as well as the promotion and circulation of local, regional, national and international projects in the field of performing and musical arts, including the silver screen. A space dedicated to the celebration of Art in all its forms, a place of creation, expression and reflection, an open house for cultural, social and artistic diversity, reflecting the rich history and dynamism of the city, where the intention is for culture to be accessible, inclusive and transformative. Quoting Alberto Caeiro, one of Fernando Pessoa’s heteronyms, “I am the size of what I see and not the size of my height”, the Antonio Pinheiro Municipal Theatre is intended to be an expansive space that surpasses the physical and allows us to feel, perceive and expand our consciousness beyond the obvious and the immediate. The António Pinheiro Municipal Theatre aims to be a reflection of the world, a window through which the audience can cross over towards new perspectives and dimensions.

It also aims to promote a range of activities in various fields and is technically equipped for multipurpose use in areas such as music, theatre, dance, the performing arts, contemporary circus, cinema and opera, as well as colloquiums, meetings, seminars, conferences, congresses, stand-up performances and more.

Another priority is the development of educational processes and artistic mediation, which, on the one hand, seek to create tools that encourage participation by all communities and cultural identities, and, on the other, promote the relationship between culture and education in a perspective of lifelong learning, with a particular focus on stimulating artistic practices accessible to all levels of education, artistic creation, empowerment of the cultural fabric, critical thinking, citizenship and freedom of expression.

As well as the initiatives planned by the António Pinheiro Municipal Theatre/Municipality of Tavira, others promoted by third parties may also take place in the space, provided they effectively contribute to the cultural and artistic dynamism of the municipality, are of manifest public interest and are approved by the Municipality.

The aim is for the António Pinheiro Municipal Theatre to become more than a mere physical space but, rather, to be valued as a place that is loaded with social and cultural significance. A space replete with memories and affection, in which the community of Tavira recognises and finds itself, at each performance. By creating layers of meaning, the theatre becomes an extension of the local identity. We want the António Pinheiro Municipal Theatre to be seen as a place of experimentation and flow; a place where new languages and forms of expression can constantly arise, meet, transform and reconnect with the community and with new artistic expressions, representing the artistic vitality of the city. An active space that people experience not just as spectators, but as participants in the construction of the place creating a space that reflects the city, its history and its identity. Ultimately, we want the António Pinheiro Municipal Theatre to truly become a place where the community of Tavira recognises itself and expresses itself culturally, creating a space for continuous meeting and transformation.

It has been said that place and space play a fundamental role in the construction of social identities, as they are intimately linked to culture; as such, the Theatre, as a place of artistic expression, can be a point of cultural and social emancipation, breaking barriers and promoting inclusion. It is intended that the proposed programme will promote the emancipation of the audiences in a process of empowerment and liberation, allowing them greater critical and creative autonomy.

The António Pinheiro Municipal Theatre aims to be a place that the people of Tavira appropriate in the desired interaction, whether participating as spectators or performing in their own productions, building the place with their presence and making it something unique and alive, a culturally dynamic meeting point.

Spaces are reservoirs of memories and emotional images. In the context of the António Pinheiro Municipal Theatre, this poetics of space and memory can be applied to the understanding of how the Theatre is effectively a space of collective memory. Dating from 1917, and having been renovated several times, it is a venue where each performance, each interaction and each movement become part of the cultural identity of the place.

May audiences attending the theatre do so not merely as consumers of culture, but also as active and conscious participants in the cultural process. And may the programme serve as a means to promote this autonomy, leading audiences to question, reflect and potentially transform their social and cultural context.

We want the António Pinheiro Municipal Theatre to be not just a physical space but, rather, a place loaded with emotional significance; a place where people can forge, experience and feel a bond of affection, with symbolic values creating a connection and a sense of belonging.

Long live the António Pinheiro Municipal Theatre!

Team +

Sociocultural Development Department

Cristina Neto

Cultural Management and Artistic Direction Division

José Barradas

Programme Assistant

Isabel Fernandes

Public Procurement

Telma Luz

Multimedia

Ivo Costa

Cultural Mediation

Manuela Ruivinho

Production

Sónia Salas

Miguel Peres Santos

Front Of House

Abílio Nascimento

Rita Crespo

Valério Rufino

Cleaning

Raquel Diogo

Olimpia Lourenço

Design

UNITED BY

Ticket Office +

Ticketing

The ticket office is open from Tuesday to Saturday – 10.30 am – 1 pm and 2 pm – 5.30 pm
The ticket office is closed on Mondays.
On performance days, the ticket office opens 2 hours before the performance.
In the 30 minutes leading up to the performance, only tickets for that performance are sold.
For cinema screenings and hospitality events, the box office will open 1 hour prior to the event.
The ticket office closes 30 minutes after the event starts.
Please keep your ticket until the end of the performance.
Please check your tickets at the time of purchase.
Tickets are valid only for the session indicated.

Tickets are available for purchase at the Theatre reception, FNAC, Worten, CTT post offices, Youth Hostels, El Corte Inglés, Note! Stores, the Serveasy website and BOL

Bookings

Bookings can be made by phone at 281 320 510 or by emailing bilheteira.tm-antoniopinheiro@cm-tavira.pt
Tickets not paid for at the time of booking must be collected within 72 hours after booking or they will be cancelled.
Bookings are only accepted up to 3 days before the performance date.
Reduced mobility seats are exclusively for people with physical disabilities. They are clearly marked at the ticket office and any other physical or online point of sale.

House Rules

Doors generally open 30 minutes before the start of the performance.
Entry is not permitted once the performance has started, unless specifically allowed by staff on duty.
Filming, recording and photography are not permitted during performances.
Smoking is not permitted in the Theatre.
The use of mobile phones or other noise-emitting devices is not permitted inside the hall.
Eating and drinking are not permitted inside the hall.
Animals are not permitted, except for assistance animals, as provided for by current legislation.

Quarterly Programme +

Consult the programme

Fourth quarter of 2026 here

Second quarter of 2026 here

First quarter of 2026 here

Fourth quarter of 2025 here

Technical Rider +

Consult the technical rider

Networks: Rede Azul +

Mission

The Rede AZul – Algarve Theatre Network was created in 2016 with the mission of supporting regional cultural creation and production, optimizing existing infrastructures, and strengthening the artistic offering in the south of the country.

Objectives

It aims to facilitate the creation, loyalty, and training of audiences, enabling the establishment of conditions for the publication of a joint cultural agenda and the implementation of a shared management model for cultural venues. Among other objectives, the network also seeks to contribute to the training and qualification of professionals working in different cultural facilities.

Axes

Axis 1 – Support for creation

Aims to enhance and enrich cultural creation in the region by supporting amateur artistic structures.

Axis 2 – Programming

Aims to carry out networked programming work, enabling the creation of synergies and economies of scale in the co-production and purchase of shows, as well as in the coordination of agendas.

Axis 3 – Training

Aims to contribute to the continuous training of teams, as well as to the qualification of the regional artistic fabric.

Activity Plan 2025

The activities to be developed in 2025 will focus on three key areas:

Creation of a Showcase of Performances
With the aim of developing and sustaining the creative cultural fabric of the Algarve, Rede Azul intends in 2025 to organize a showcase of performances created by Algarvian artists or those based in the region. The goal of this showcase is for each Rede Azul partner to be required to program at least one performance from this showcase during 2026. The performances programmed by the cultural facilities of Rede Azul must come from creators based in other municipalities within the Network.

Launch of an Artistic Creation Call for creative structures in the Algarve
Following up on the performances created in 2016 – “Leôncio e Lena” by LAMA Teatro, in 2018 – “Moda Vestra” by João Frade, Rafael Correia and Ana Perfeito, and in 2019 – “Diz-me, António” by Carolina Cantinho, Armando Correia and Pedro Pinto, Rede Azul aims to continue the call for artistic creation, directed to creative structures in the region, with the goal of developing new artistic works to be presented in 2026 in the various spaces that make up the Network. The call for artistic creation support will be launched in 2025, and the winner of this support may begin creation within the same year.

Conferences and Debate Cycle
In 2025, Rede AZul intends to organize a series of conferences and seminars on different cultural themes, initiatives that will take place in different venues within the network, aimed at people who work daily with cultural matters.

Partners

Rede AZul currently includes 13 partners, namely:

Cineteatro Louletano
Teatro das Figuras (Faro)
Auditório Municipal de Albufeira
Auditório Carlos do Carmo (Lagoa)
Centro Cultural de Lagos
Auditório Municipal de Olhão Maria Barroso
TEMPO – Teatro Municipal de Portimão
Cineteatro Jaime Pinto (São Brás de Alportel)
Teatro Mascarenhas Gregório (Silves)
Teatro Municipal António Pinheiro (Tavira)
Centro Cultural António Aleixo (Vila Real de Santo António)
Auditório da Biblioteca Municipal de Castro Marim
Centro Cultural de Vila do Bispo

Rede AZul Contacts

Email: redeteatrosazul@gmail.com
Facebook: https://www.facebook.com/redeazulalgarve/

Rede AZul Partners Contacts

Cineteatro Louletano

Address: Rua Doutor Frutuoso da Silva, 8100-501 Loulé
Email: cinereservas@cm-loule.pt | Telefone: 289 400 820
Website: https://cineteatro.cm-loule.pt/
Online tickets: https://cineteatrolouletano.bol.pt
Artistic direction: Dália Paulo
Artistic programming: Paulo Silva

Teatro das Figuras (Faro)

Address: Rua João de Brito Vargas, 8005-518 Faro
Email: [geral@teatromunicipaldefaro.pt](mailto:geral@teatromunicipaldefaro.pt) | Phone: 289 870 077
Website: [https://www.teatrodasfiguras.pt](https://www.teatrodasfiguras.pt)
Online tickets: [https://teatrodasfiguras.bol.pt/](https://teatrodasfiguras.bol.pt/)
Artistic programming: Gil Silva

Auditório Municipal de Albufeira

Address: Rua do Município – Cerro da Alagoa, 8200-863 Albufeira
Email: [geral@cm-albufeira.pt](mailto:geral@cm-albufeira.pt) | Phone: 289 599 645
Division Chief: Carla Ponte

Auditório Carlos do Carmo (Lagoa)

Address: Rua do Centro de Saúde, 8400-413 Lagoa
Email: [cultura@cm-lagoa.pt](mailto:cultura@cm-lagoa.pt) | Phone: 282 380 452
Online tickets: [https://auditoriocarlosdocarmo.bol.pt/](https://auditoriocarlosdocarmo.bol.pt/)
Artistic programming: Paulo Francisco

Centro Cultural de Lagos

Address: Rua Lançarote de Freitas, 7 | 8600-605 Lagos
Email: [centro.cultural@cm-lagos.pt](mailto:centro.cultural@cm-lagos.pt) | Phone: 282 770 450
Online tickets: [https://centroculturaldelagos.bol.pt/](https://centroculturaldelagos.bol.pt/)
Division Chief: José Viegas
Artistic programming: Vera Feu

Auditório Municipal de Olhão Maria Barroso

Address: Rua Diogo de Mendonça Corte Real, 1 | 8700-232 Olhão
Email: [auditorio@cm-olhao.pt](mailto:auditorio@cm-olhao.pt) | Phone: 289 700 160
Website: [https://auditoriomunicipal.cm-olhao.pt/](https://auditoriomunicipal.cm-olhao.pt/)
Online tickets: [https://ticketline.sapo.pt/salas/sala/658](https://ticketline.sapo.pt/salas/sala/658)
Artistic programming: Vítor Lopes

TEMPO – Teatro Municipal de Portimão

Address: Largo 1.º de Dezembro, 8500-538 Portimão
Email: [geral@teatromunicipaldeportimao.pt](mailto:geral@teatromunicipaldeportimao.pt) | Phone: 282 242 650 / 961 579 917
Online tickets: [https://tempo.bol.pt](https://tempo.bol.pt)
Artistic programming: Ana Águas

Cineteatro Jaime Pinto (São Brás de Alportel)

Address: Av. da Liberdade, 22 | 8150-101 São Brás de Alportel
Email: [cine.teatro@cm-sbras.pt](mailto:cine.teatro@cm-sbras.pt) | Phone: 289 840 211 / 289 840 000
Artistic programming: Sónia Silva / Patrícia Reis

Teatro Mascarenhas Gregório (Silves)

Address: Rua Cândido dos Reis, s/n | 8300-126 Silves
Email: [cultura@cm-silves.pt](mailto:cultura@cm-silves.pt) | Phone: 282 440 800
Online tickets: [https://cmsilves.bol.pt/](https://cmsilves.bol.pt/)
Artistic programming: João Estiveira / José Guia

Teatro Municipal António Pinheiro (Tavira)

Address: Rua Dom Marcelino Franco, 22, 8800-347 Tavira
Email: [tm-antoniopinheiro@cm-tavira.pt](mailto:tm-antoniopinheiro@cm-tavira.pt) | Phone: 281 320 510
Artistic programming: José Barradas

Centro Cultural António Aleixo (Vila Real de Santo António)

Address: Rua Dr. Teófilo Braga, 8900-231 Vila Real de Santo António
Email: [geral@cm-vrsa.pt](mailto:geral@cm-vrsa.pt) | Phone: 281 510 045
Online tickets: [https://cm-vrsa.bol.pt](https://cm-vrsa.bol.pt)
Artistic programming: Vítor Junqueira and André de Oliveira

Auditório da Biblioteca Municipal de Castro Marim

Address: Rua 25 de Abril, s/n | 8950-122 Castro Marim
Email: [biblioteca@cm-castromarim.pt](mailto:biblioteca@cm-castromarim.pt) | Phone: 281 510 747
Artistic programming: Tina Castro / João Pereira

Centro Cultural de Vila do Bispo
Address: Praça da Tanegashima 8650, Vila do Bispo
Email: [geral@cm-viladobispo.pt](mailto:geral@cm-viladobispo.pt) | Phone: 282 630 600
Artistic programming: Tânia Lucas

Protocols and partnerships +

Protocols

Nacional Institutions

Teatro Nacional D.Maria II